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After the world of Molly’s Game’ premiere at the Toronto International Film Festival on friday (07), the first reviews for the film were released.
The reception thus far is positive, and especially Chastain’s performance get praised.
The Vulture has analyzed if the movie and Jessica could be contenders for award season. Read some reviews below:
Still, for a writer accused of misogyny in the past, “Molly’s Game” delivers one of the screen’s great female parts — a dense, dynamic, compulsively entertaining affair, whose central role makes stunning use of Chastain’s stratospheric talent. Chastain’s not the type, but she’s a star with an instinct for great material, and as such, the character adapts to fit her persona, rather than the other way around (the real Bloom comes across more like the call girl who brought down Eliot Spitzer). “Molly’s Game” is Chastain’s movie, and she’s demonstrating once again what we’ve seen in everything from “Zero Dark Thirty” to “A Most Violent Year”: No matter how powerful the men around her, Chastain is perfectly capable of being in control — and that’s not to be taken lightly in an industry that provides an alarming deficit of stand-their-ground female role models (even those who are technically breaking the law).
Sorkin approaches Molly as an earnest and upstanding citizen — practically a crusader of sorts, and Chastain plays her with practically the same conviction she did a power-lobbyist in last year’s “Miss Sloane” — who went out of her way to ask a lawyer (Michael Kostroff) whether her unconventional business was legal.
The point is, Molly’s a great character, and in the Chastain-Sorkin partnership, she’s performed every bit as forcefully as she’s written. “Molly’s Game” delivers that rare example of a female character who gets the better of some of the country’s richest and most powerful men — and in the film’s most cathartic scene (which immediately follows an entirely unnecessary one, set at the ice-skating rink in New York’s Central Park), she finally gets to confront the ne plus ultra of alpha males, her Svengali-like father, about issues Sorkin has stealthily woven throughout his script.
Sorkin shows his cards, making the movie about something we really care about: human reconciliation, not getting rich, or defending one’s honor. After that, the judge’s verdict hardly matters. Chastain and Sorkin have already won over the audience. – Variety ( Read more…)
Fortunately, the words have been written by the ever-eloquent Aaron Sorkin and are spoken with skill and speed by Jessica Chastain as a way of telling, in as much detail as a mainstream film could allow, the dense and complicated story of Hollywood and Wall Street high stakes poker den mother Molly Bloom. With Miss Sloane last year and Zero Dark Thirty before that, Chastain is definitely in a moment of playing very hard-edged women without personal lives (Miss Sloane at least had a secret gigolo), and the lack of either this or any female friends (there are only employees) makes one wonder if Molly has truly cut sex, romance and even friends out of her life; there’s no mention or glimpse of any of the above, which makes her feel like an incomplete character. All the same, Chastain roars through the performance with a force and take-no-prisoners attitude that keeps one rapt. – The Hollywood Reporter ( Read more…)
It seems certain to be a significant awards season player, with Jessica Chastain in particular a near certainty for a clutch of nominations. It’s a role which is familiar territory for Chastain: like the ruthless lobbyist in Miss Sloane, Molly Bloom is a woman used to running intellectual rings around the smartest guys in the room. Her addiction, according to her analyst father (Kevin Costner), is having power over powerful men. he scenes that Chastain and Elba share are enormously enjoyable. There’s a crackling, almost screwball quality to their rapid-fire banter. You rather wish they had more screen time together. But there’s a lot of backstory to explore and many fools to be parted from their money. – Screen Daily ( Read more…)
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Jessica is on the August issue of Vanity Fair Italy. She talked about her marriage, Miss Sloane, build a family and much more. The photoshoot used on the magazine is the same used on Elle Spain. The photographer is Mario Sorenti. Read the interview:
Jessica Chastain is the exception to the rule. Actually she really confirms all the rules about the entertainment world. The one that success inevitably changes you; the one that you pass from a total lack of opportunities in the beginning to having way too many options after and this makes your choice even harder, and sometimes can lead to a real career disaster; that one for which being worshipped, a relentless poison, destroys the reality and brings true talented girls to become excessive and whining divas. It happens to many, but not to Jessica Chastain. Keep on reading!
The first trailer for Molly’s Game, starring Jessica Chastain, Idris Elba and Michael Cera, was released yesterday (August 15). Watch the trailer below:
The official synopsis:
MOLLY’S GAME is the true story of Molly Bloom a beautiful, young, Olympic-class skier who ran the world’s most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe.
The film was announced to be part of TIFF Special Presentation/Gala line-up. Woman Walks Ahead ( Jessica’s next project) will also be part of TIFF.
In addition to the trailer, new promotional stills were released:
Jean Grey begins to develop incredible powers that corrupt and turn her into a Dark Phoenix. Now the X-Men will have to decide if the life of a team member is worth more than all the people living in the world.
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