‘Woman Walks Ahead’ Press Day

The site had to stay in maintenance mode for two days because of the layout change. So some posts have not been published, but the gallery is updated and the coverage of the events are on our Twitter. Let’s start with the updates:

Jessica spent her second day promoting TIFF Woman Walks Ahead. She did several interviews, took part of the panel Grey Goose Cocktails & Conversation, and visited the Variety Studio. Check some HQ pictures added in our gallery:

Appearances & Events > 2017 > Sep 10 |‘Woman Walks Ahead’ Press Day


Molly’s Game: Interviews

Molly’s Game: Interviews

We chose some interviews given by Jessica during the Toronto International Film Festival, promoting her new film, ‘Molly’s Game’. See below:

HFPA And InStyle’s TIFF Celebration

Last night, Jessica Chastain attended The Hollywood Foreign Press Association (HFPA) and InStyle’s annual celebrations of the 2017 Toronto International Film Festival at Windsor Arms Hotel. We’ve add some pictures of the event in our gallery:

Appearances & Events > 2017 > Sep 09 | HFPA & InStyle annual celebration of Toronto International Film Festival


Appearances & Events > 2017 > Sep 09 | Entertainment Weekly’s Must List Party at the Toronto International Film Festival



Jessica arrives for the press conference

We’ve add in our gallery, pictures of Jessica arriving for Molly’s Games’ press conference on September 08. See below:

Candids > 2017 > Sep 08 │Arrives at a Press Conference at 2017 Toronto International Film Festival


Molly’s Game: First Reviews


After the world of Molly’s Game’ premiere at the Toronto International Film Festival on friday (07), the first reviews for the film were released.

The reception thus far is positive, and especially Chastain’s performance get praised.

The Vulture has analyzed if the movie and Jessica could be contenders for award season. Read some reviews below:

Still, for a writer accused of misogyny in the past, “Molly’s Game” delivers one of the screen’s great female parts — a dense, dynamic, compulsively entertaining affair, whose central role makes stunning use of Chastain’s stratospheric talent. Chastain’s not the type, but she’s a star with an instinct for great material, and as such, the character adapts to fit her persona, rather than the other way around (the real Bloom comes across more like the call girl who brought down Eliot Spitzer). “Molly’s Game” is Chastain’s movie, and she’s demonstrating once again what we’ve seen in everything from “Zero Dark Thirty” to “A Most Violent Year”: No matter how powerful the men around her, Chastain is perfectly capable of being in control — and that’s not to be taken lightly in an industry that provides an alarming deficit of stand-their-ground female role models (even those who are technically breaking the law).

Sorkin approaches Molly as an earnest and upstanding citizen — practically a crusader of sorts, and Chastain plays her with practically the same conviction she did a power-lobbyist in last year’s “Miss Sloane” — who went out of her way to ask a lawyer (Michael Kostroff) whether her unconventional business was legal.

The point is, Molly’s a great character, and in the Chastain-Sorkin partnership, she’s performed every bit as forcefully as she’s written. “Molly’s Game” delivers that rare example of a female character who gets the better of some of the country’s richest and most powerful men — and in the film’s most cathartic scene (which immediately follows an entirely unnecessary one, set at the ice-skating rink in New York’s Central Park), she finally gets to confront the ne plus ultra of alpha males, her Svengali-like father, about issues Sorkin has stealthily woven throughout his script.

Sorkin shows his cards, making the movie about something we really care about: human reconciliation, not getting rich, or defending one’s honor. After that, the judge’s verdict hardly matters. Chastain and Sorkin have already won over the audience. – Variety ( Read more…)

Fortunately, the words have been written by the ever-eloquent Aaron Sorkin and are spoken with skill and speed by Jessica Chastain as a way of telling, in as much detail as a mainstream film could allow, the dense and complicated story of Hollywood and Wall Street high stakes poker den mother Molly Bloom. With Miss Sloane last year and Zero Dark Thirty before that, Chastain is definitely in a moment of playing very hard-edged women without personal lives (Miss Sloane at least had a secret gigolo), and the lack of either this or any female friends (there are only employees) makes one wonder if Molly has truly cut sex, romance and even friends out of her life; there’s no mention or glimpse of any of the above, which makes her feel like an incomplete character. All the same, Chastain roars through the performance with a force and take-no-prisoners attitude that keeps one rapt. – The Hollywood Reporter ( Read more…)

It seems certain to be a significant awards season player, with Jessica Chastain in particular a near certainty for a clutch of nominations. It’s a role which is familiar territory for Chastain: like the ruthless lobbyist in Miss Sloane, Molly Bloom is a woman used to running intellectual rings around the smartest guys in the room. Her addiction, according to her analyst father (Kevin Costner), is having power over powerful men. he scenes that Chastain and Elba share are enormously enjoyable. There’s a crackling, almost screwball quality to their rapid-fire banter. You rather wish they had more screen time together. But there’s a lot of backstory to explore and many fools to be parted from their money. – Screen Daily ( Read more…)

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